Photosynthetic Poetics

2012-01-29T05:25:00.001-08:00

Venerating Dr. Nina Simone: Conjure Woman, Soul Woman
by: Ebony Noelle Golden,
Co-Founder/ Co-Curator of Women on Wednesday Art and Culture Project

Women on Wednesday Arts and Culture Project honors the incomparable Dr. Nina Simone as the ancestral mother for WoW2012: The Naked Edition. WoWs organizers honor Nina Simone because of her unabashed boldness and fearless dedication to truth-telling, liberation and creative excellence. Join us in celebrating the brilliance of Nina Simone this month and every month.

Nina Simone was born Eunice Kathleen Waymon in Tryon, North Carolina February 21, 1933 and transitioned April 21, 2003. Her life, legacy, music, fashion and pursuit of liberation serve as guide for how black girls, women and the rest of the world can live their NAKED TRUTHS.

I was first introduced to Nina Simone in college. Every summer I taught dance and worked as a choreographer for the Young Performers Program at the Ensemble Theatre in Houston, TX. My first summer, I choreographed Lorraine Hansberry’s play “To Be Young Gifted and Black.” While researching the piece, I found Simone and remember listening to the song a few hundred times. I remember thinking that she didn’t necessarily have a melodic voice, but instead a committed voice. A voice that made to sit up and pay attention. A voice that demanded every listener recognize the wealth that is the black youth, black talent and just blackness overall. From then, I was hooked. Using her work in my scholarly, artistic and amorous adventures.

Years later, I remember playing a game of chest with a lover, who didn’t dig her sound. Her voiced opened me to a greater capacity of strategic maneuvering. I remember my lover asking about her, where she came from, why did I like her. I remember being bothered by his lack of love and admiration for Simone. In the months following that game of chest, I continued to play Simone’s music. Eventually, he learned to love her, and couldn’t remember the time when he didn’t appreciate her voice.

In a time where the cult of black respectability forced women and men to bend to white culture and standards, she was a member of a crew politically active, cultural warriors who visioned and worked for a world where creative innovation and liberation conspired to blaze a trail of possibility, beauty and freedom for communities, artists organizers and educators the world-over.

Simone’s iconic sound, political action and musical innovation resisted tradition, form and boundaries. Songs like “Mississippi Goddam” and “Four Women” season the soundtrack of liberation movements for global human rights. Always the conjure woman; Simone was able to move the crowd with the greatest of ease, radicalize a soul with a moan or a hollar, change the temperature of a room with a stoke of the piano and delve into the heart of all that is beautiful and troubling about the world with her soothing or harsh tones. She was one bad mama-jama.

This contemporary moment finds Nina Simone just as relevant. Simone serves as the muse for many Hip-hop artists, theatre-makers, dancers, choreographers and visual artists around the globe. Several of the Women on Wednesday Art and Culture Project participants are currently or have in the past created work that honors her life and legacy.

I wrote the poem below a few years ago. It is included in a poetry collection I am building and obsessed with called “again, the watercarriers.” The collection, includes a section dedicated to the diverse manifestations of the conjure woman archetype. That section includes a suite of poems dedicated to the one and only Nina Simone.

conjure woman, soul woman
for nina

nina
they say you stole shadows
you cast babyspirits out in nocturnal limboyou make them wander

in search of womb
in search of milk
in search of the space between heaven and hell
where each step is a breathsqueeze

they say you keep a sachet of boneshavings crescent city spit
and motherlanddust under your slip
that you blew
the brows clean off a man's forehead
for cutting his eyes at you

they say you could have been a street preacher
but you couldn't keep your legs closed
or pray just to our lord jesus

i know a woman who carries your face
and she aint nothing but sanctified
and she speak sweet like i hear you speak
and her fingers too are wands that stir heaven

and she holds night in her skinsings it to her children when dawn breaks

nina
they really don't know how you got the blood and the lightening in your tone
don't know how you swung back this lifetime without wings
know how you birthed us with out light so

they call you witch when obeah be your name
call you mystery when you are everywhere like dew
magician when magician you are
they call you alien when you are mamathey call you alien cause you tune our hearts
your name be obeah

you bend time
siphon your way through space
i hear you do it

stretch through speakers at me
stretch through speakers at me
just when i get tired of shouting freedom
writing freedom birthing freedom

stretch through speakers at me--your groove
a feathered redemption

About the Author
Hailing from Houston, TX, Ebony Noelle Golden is a cultural worker, artist and creative director of Betty’s Daughter Arts Collaborative, LLC and artistic director of Body Ecology Performance Ensemble. Ebony's current bodies of work include: "RingShout for Reproductive Justice" and "again, the watercarriers." She also writes about jazz, culture and liberation for Okayplayer’s The Revivalist Magazine. www.bettysdaughterarts.com.

About WoW
Motto: Engage, Create, Empower
Mission: WoW is dedicated to celebrating the creativity, empowerment, holistic health, and civic engagement of black girls and women.

In honoring the voices of women and girls of the African Diaspora, “Women on Wednesdays: Art and Culture Series” privileges our ancestors and their labor, affirming our collective truth – we do not walk alone, and we could not create transformative and innovative art without the journeys of those who came before us. Thus, WoW creates a space for our ancestors’ at every “Women on Wednesdays” event, encouraging participating artists and audience members to share this sacred space.

This series’ success is notable, because it provided women of color professional and emerging artists with an opportunity to share their work, engaging audience members in talk-backs after each performance. Such opportunities are crucial for women of color and our community. Though many social and political advances have been made, cultural art-making by women and girls of the African Diaspora still lacks the support often granted to others. “Women on Wednesdays: Art and Culture Series” celebrates our labor and creativity, putting women of color at the center of cultural exchange while simultaneously creating a welcome space for audiences which may not have known of this work without such a platform for expression.

To find out more about Women on Wednesday Art and Culture Project visit our Facebook Group or wowproject.yolasite.com.

2011-11-18T09:05:00.001-08:00

https://www.facebook.com/events/264913493551887/

Greetings,

Tomorrow is the day for Body Ecology's 2nd RingShout for Reproductive Justice! Dress warmly, fill your thermos and prepare yourselves for what will be a gripping and enlightening public art performance.

What is a RingShout? A ringshout is a method for praise and worship. In the ring shout people sing, dance, testify. Body Ecology recognizes the technology of the circle has made black women and black communities un-breakable. It is our circle that keeps us focused on the whole, the light in our community, the hopefulness that we can collectively vision.

Body Ecology affirms that this campaign, this ring shout this circle of energy and creativity is our best asset for addressing justice and reproductive health.Our RingShout is a performance of healing, truth-telling, humor and recovery. We do this through the performance of original poetry, narrative, choreography. Expect to be moved! Each ringshout ends with a community cipher/ story circle so bring a dance, a poem a testimony about health, legacy, reproductive justice or creativity! Join us!

In solidarity,
Ebony Golden
Betty's Daughter Arts Collaborative
www.bettysdaughterarts.com

2011-11-10T07:47:00.001-08:00

RingShout for Reproductive Justice Continues Nov. 19th!

Body Ecology continues its RingShout for Reproductive Justice Campaign with a second public performance and street story circle. Check back soon for more information about the performance and how you can get involved!

Lauded as the "father of gynecology", Dr. James Marion Sims brutally experimented on enslaved African women in Birmingham, Alabama. There just so happens to be a monument built in his honor on 5th Avenue. Body Ecology wants this memorial removed!

We are calling on the power of the women who suffered at the hands of this "doctor" as we offer our second installment of RingShout for Reproductive Justice. We are calling on the power of the women are experiencing joy, trauma, revelation, doubt, and a myriad of emotions and feelings that relate to our reproductive health and choices.

What is a RingShout?

A ringshout is a method for praise and worship. In the ring shout people sing, dance, testify. Usually the songs are lead but there is time for each person to speak or sing. You may be more familiar with recent configurations of the ringshout including the cipher or even the "sista circle" or sacred circles for women. The idea is that the circle is sacred and when those join in the circle they harness an energy and power to manifest what they choose. Also, there are theatre makers who are using the ring shout in traditional theatre settings for similar purposes.

Body Ecology recognizes the technology of the circle has made black women and black communities un-breakable. It is our circle that keeps us focused on the whole, the light in our community, the hopefulness that we can collectively vision. Body Ecology affirms that this campaign, this ring shout this circle of energy and creativity is our best asset for addressing justice and reproductive health.

Our RingShout is a performance of healing, truth-telling, humor and recovery. We do this through the performance of original poetry, narrative, choreography. Expect to be moved!

Each ringshout ends with a community cipher/ story circle so bring a dance, a poem a testimony about health, legacy, reproductive justice or creativity! Join us!

More about the RingShout for Reproductive Justice Campaign

Read More Here:
http://www.bettysdaughterarts.com/#!ringshout-for-reproductive-justice

www.bettysdaughterarts.com

2011-10-21T22:01:00.001-07:00

BDACs current campaign is called the RingShout for Reproductive Justice!

Join us for our 2nd RingShout November 19!

https://www.facebook.com/event.php?eid=264913493551887

What is a RingShout?

A ringshout is a method for praise and worship. In the ring shout people sing, dance, testify. Usually the songs are lead but there is time for each person to speak or sing. You may be more familiar with recent configurations of the ringshout including the cipher or even the "sista circle" or sacred circles for women. The idea is that the circle is sacred and when those join in the circle they harness an energy and power to manifest what they choose. Also, there are theatre makers who are using the ring shout in traditional theatre settings for similar purposes.

Body Ecology recognizes the technology of the circle has made black women and black communities un-breakable. It is our circle that keeps us focused on the whole, the light in our community, the hopefulness that we can collectively vision. Body Ecology affirms that this campaign, this ring shout this circle of energy and creativity is our best asset for addressing justice and reproductive health.

Our RingShout is a performance of healing, truth-telling, humor and recovery. We do this through the performance of original poetry, narrative, choreography. Expect to be moved!

Each ringshout ends with a community cipher/ story circle so bring a dance, a poem a testimony about health, legacy, reproductive justice or creativity! Join us!

2011-10-09T07:40:00.001-07:00

This Body Ecology: Creativity & Transformation Residency will be looking at the connection between spiritual practice and creative performance. Expect to deepen conversations around ritual, Shange, Alice Walker, Sonia Sanchez and others. Expect to be asked to "perform something that pushes you to a new awareness of yourself and your creative potential". Join us!

https://www.facebook.com/event.php?eid=197374113662828

Join Betty's Daughter Arts Collaborative in our inaugral cultural arts direct action campaign!!! We begin tomorrow!

2011-09-27T08:47:00.000-07:00

Body Ecology: Creativity and Transformation Residency

FOR IMMEDIATE RELEASE
Public Performing Arts and Activism Workshops for South Bronx Community
Contact: Ebony Noelle Golden
Email: ebonygolden@bettysdaughterarts.com

www.bettysdaughterarts.com

South Bronx, New York --6 pm on September 28, Betty's Daughter Arts Collaborative in collaboration with Casa Atabex Ache will launch the Body Ecology: Creativity and Transformation

residency for women and trans folks of color . The residency will address reproductive rights, environmental justice and spiritual activism over a period of a month. The residency will

feature public performance opportunities, creative dialogue, dance, writing and theatre workshops at Casa Atabex Ache. Participants will also have the opportunity to participate in two

public performances: one at Casa Atabex Ache and the other at the Harriet Tubman Memorial statue in Harlem. The performances will feature the original work of participants who will be

exploring the role of creative arts in working for individual transformation and community action.

The workshops will take place 6-8 p.m. at Casa Atabex Ache located at 471 East 140th Street Bronx, NY 10454. Participants have the option of paying between 20 and 40 dollars each

session, although no one will be turned away due to lack of funds.

Dates & Topics Include:

September

Reproductive Justice Cultural Arts Direct Action Campaign Debuts

28: Body Ecology Residency Begins @ Casa Atabex Ache. Register Here. Reproductive Justice!

October

1: Ringshout for Reproductive Justice 3 pm @ the Harriet Tubman Memorial Plaza 122nd and St. Nick.

3: Performance/Workshop: Ritual Theatre & Choreopoem Aesthetics @ Medgar Evers College

5: Environmental Justice Workshop

12: Spiritual Activism Workshop

19: Solo and Collaborative Performance Workshop

22: Body Ecology at The Black Girl Project Symposium

26: Final Benefit Performance in Support of Casa Atabex Ache and Project Zanzibar

The residency is a part of Betty's Daughter Arts Collaborative's inaugural cultural arts direct action campaign season dedicated to using arts to address issues of reproductive justice within

the African Diaspora community. Ebony Golden, Creative Director of Betty's Daughter said, “This cultural arts direct action campaign has been a dream for several years. I am excited to

use the arts to vision a world I want to live in with the rest of the ensemble and community. We are not fighting against anything, we are honoring our autonomy over all that we choose to

create-artistically, politically, spiritually, economically, educationally...” The goals of the campaign are to raise awareness, increase creative action, facilitate dialogue and support local

organizing efforts.

The campaign will take the ensemble to Boston, Washington, DC, and Baltimore. Local allies include Casa Atabex Ache, Ocean Ana Rising, Brecht Forum, and WOW Cafe Theatre.

Betty's Daughter Arts Collaborative, LLC is a cultural arts direct action group that inspires, enlivens, and incites justice and transformation of individuals and communities through

creativity, cultural arts and radical expressiveness.

Betty's Daughter Arts Collaborative envisions and works for a world where cultural and artistic practice envelops and sustains wellness and justice movements for individuals and

communities.

2011-07-12T21:34:00.000-07:00

Project Zanzibar:: Cultural Arts Residency

BDAC needs your help to get to Zanzibar!!! Each dollar is an investment!

Donate here: http://www.indiegogo.com/projectzanzibar

Our Story
In August of 2010, Ebony Golden was introduced to Bi Aida and Mbaruk (Directors of Creative Solutions) by Tufara Muhammad at the Highlander Research and Education Center. During Cultural Workers' Weekend, Bi Aida and Ebony talked about the possibility of community cultural arts residency at their Creative Solutions school in Zanzibar. By the end of the weekend, Ebony was sure that this collaboration would be an awesome opportunity to learn and share art in community, while beginning an intentional and sustainable relationship with an international collaborator. This weekend, Project Zanzibar:: Cultural Arts Residency was born.

Utilizing art and creativity, Project Zanzibar:: Cultural Arts Residency seeks to amplify the voices and creativity of young adults and women at Creative Solutions Resource Systems school located in Mangapwani, Zanzibar.

The residency is a collaborative effort between Creative Solutions and Betty's Daughter Arts Collaborative, based in New York, NY.

Goals and Outcomes
1. 3 Yoga Workshops
2. 2 Dance/Movement Workshops
3. 2 Writing Workshops
4. 1 Story Circle
5. 2 Theatre/Performance Workshops
6. 1 Visual Arts Workshops
7. 1 Community Performances

More About The Collaborators
Creative Solutions Resource Systems is a non profit community learning center, located in the village of Mangapwani, approximately 27 kilometers from Zanzibar town and one kilometer from the beach. We are a grass roots organization providing access to education through both traditional and modern systems. CSRS strives to unleash the creative energy within each individual through participatory workshops, classes and demonstrations. CSRS is committed to the philosophy of creating solutions through self-help.

Betty's Daughter Arts Collaborative, LLC is a cultural arts direct action group that inspires, enlivens, and incites justice and transformation of individuals and communities through creativity, healing arts practices and radical expressiveness. Betty's Daughter Arts Collaborative envisions a world where cultural and artistic practice envelops and sustains wellness and justice movements for individuals and communities. Betty's Daughter Arts collaborative provides workshops, residencies, performances and consulting services to communities working for justice and transformation.

Check out BDAC at work--http://youtu.be/j5evUICB7as and http://vimeo.com/17252820

The Impact

Participant Impact
Transformation: Creativity heals, transforms, liberates and enlivens individuals and communities. This experience will provide participants with tools they can use in their everyday lives to reflect, rejoice and renew through writing, performance, movement and meditation.

Community Sustainability: Creativity is integral to building and sustaining community. The residency will provide participants with tools to investigate art and creativity as a practice for solving issues impacting local communities. Through creative visioning, action and reflection participants will experience movement from issue to resolution while at the same time building a tool kit to continue the forward movement for community sustainability and growth.

Literacy: Creativity is directly linked to achievement in literacy and basic skills. Because arts practice supports the overall critical thinking skills of students, it is extremely important to find new and innovative approaches to getting students writing and thinking outside of books. Creativity helps students conceptualize and envision experiences that extend comprehension of texts and problem solving skills. The activities used in this residency will be useful to students as they work to achieve their educational goals.

Organizational Impact
Creative Solutions is looking for ways to offer its students quality cultural arts programming. These costs, of course, are steep for a community school. Through our collaboration, Creative Solutions will have a month-long residency that it can use as a template for building and sustaining cultural arts programs throughout the year. Because BDAC is looking to its supporters to help fund this residency, Creative Solutions will not have to worry about payment for the services and use those funds to sustain other educational projects.

The Bottom Line
1. If this project does not happen, Creative Solutions quite possibly will not have intensive cultural arts programming for the month.
2. Participants will not have access to a transformative arts experience.
3. BDAC will not be able to begin its international arts initiative.

What We Need
BDAC Needs 2500.00 for the residency. Here is how it will be spent.

1500-flight
200-medication
700-Food and Lodging
100-Flip Cam

What You Get
Mention in Newsletter
Mention on website
DVD of Residency
Residency Chapbook
A gift from Zanzibar
A post card from Zanzibar

Other Ways You Can Help
Tweet about the residency using the #ProjectZanzibar hashtag
Mention the residency and our campaign on your Facebook wall or status update
Come to the going away party in Brooklyn July 16th.
Donate books, media or school supplies to Creative Solutions
Donate yoga mats
Donate DVDs
Donate art supplies
Donate frequent flyer miles
Get your social club to donate
Purchase mailing of materials
Come up with another way to help and let BDAC know!

2011-05-18T11:46:00.001-07:00

Register for the 5th In The People's Hands Arts and Activism Project workshop, in Durham NC.! Free.

4th Annual In the People's Hands Arts and Activism Project Presents...
The LIBERATION INTENSIVE

Location: TBA
Cost: FREE
Contact: Ebony Noelle Golden-ebonygolden@bettysdaughterarts.com,
Nia Wilson-spirithousenc@gmail.com
tel: 919.283.9032

www.inthepeopleshands.synthasite.com

Registration: email or text- ebonygolden@bettysdaughterarts.com or 919.283.9032.

Join SpiritHouse, Alternate Roots and Betty's Daughter Arts Collaborative for the 4th In The People's Hands Arts and Activism Intensive. This year we are focus is LIBERATION. The weekend we will offer creative performance, spoken word, writing and community action workshops for the community.

Agenda

Thursday June 30th 430 pm
Meet and Greet and Opening Session
530 Introductions and Ice Breaker
600 Opening Session
Why Liberation? Why Now: A Creative Imperative
In this session, Ebony Noelle Golden will lead an interactive session with participants exploring creative approaches to liberation, RSC's principles of community engagement while framing the scope and range of the weekend intensive.

Friday July 1st 430 pm
430- Light Dinner/Snacks
5 pm- Session 1
630-645 Break
645 pm - Session 2
815- Wrap Up

Saturday July 2
10 am- Performance/Manuscript One-on-Ones with Visiting Artists (20 minute sessions)
11 am - Light Brunch
1130- Session 3
1pm- Break
115- Session 4
245- Break
330
Cultural Arts Direct Action: The Creative and the Strategic Road Map
In this session, Ebony Noelle Golden will lead participants in a process of mapping out the next steps for using art and culture for change. Participants should come prepared to talk about a tangible shift they want to see in their communities and how they want to use art and culture to do that work.

530 Break

7 pm Community Performances

2011-02-08T19:00:00.001-08:00

Join Us as WE Celebrate Girls and Women of the African Diaspora!!!

2010-12-09T07:52:00.001-08:00

Women on Wednesdays Art and Culture Project Now Accepting Performance and Workshop Proposals

Greetings,

I hope you all are finding warmth as it gets really cold outside. I co-curate Women on Wednesdays Arts and Culture Project based here in NYC. We are currently accepting performance and workshop proposals from girls and women of the African diaspora to present creative works and teach during the month of February. Here is the link: http://www.bettysdaughterarts.com/women-on-wednesday-teach-in.php If you have any questions, don't hesitate to email me at ebonygolden@bettysdaughterarts.com.

Ebony Noelle Golden
Peace.

2009-12-09T12:15:00.001-08:00

WHAT RACE ARE YOU RUNNING? SUBMIT YOUR LO-PHY PERFORMANCES/LO-TECH PHOTOS ebonygolden@bettysdaughterarts.com to contribute to our web installation project debunking POST-RACIAL HYPNOSIS!!!!!! GO HERE FOR MORE INFORMATION: http://www.bettysdaughterarts.com/a-poetics-of-progressive-pedagogy.php

2009-11-05T08:12:00.001-08:00

Call for art, spoken word, music- Sex worker rights are Human rights!

In conjunction with International Human Rights Day on December 10th, a coalition of New York-based sex worker rights, anti-violence and decriminalization advocates are hosting a Human Rights Speak-Out and Arts Evening. You are encouraged to submit your work!

We are looking for:
- pieces that connect to or highlight themes in the Universal Declaration of Human Rights (see http://www.un.org/en/documents/udhr/ and the examples below); and to the idea that criminalization of sex work leads ultimately to human rights violations.
- visual art; and short (2 to 7 minutes) spoken word or poetry pieces, musical pieces, theater shorts, films, etc.
- current/ former sex workers, and folks who are otherwise in communities that are heavily impacted by criminalization and policing of sex work are especially encouraged to submit

Submit to : kmdadamo@gmail.com and belltoweroverflo@hotmail.com
For spoken word and performance, please email written copies if possible. For film, either mail a copy or send an online link to view. For visual art, please either send JPG images (no more than 2) or otherwise call to make arrangements to submit.

Submit by: November 25th

Be sure to keep Dec. 10th on your schedule! Travel stipends for local NYC area travel to the event on the evening of December 10th may be available for submitting artists. Please keep in mind that the event will be promoted to media outlets in order to try to bring a sex worker rights and human rights message to a wider audience.

Here are some examples of conditions faced by sex workers and articles of the UDHR that correlate:

Sex workers and people profiled as sex workers are often ignored when they report violence, rape, or other crimes against them, and even presumed to have brought the violence on themselves. Frequently, they face violence, including sexual violence and extortion, at the hands of the police.

Article 3.

* Everyone has the right to life, liberty and security of person.

Article 5.

* No one shall be subjected to torture or to cruel, inhuman or degrading treatment or punishment.

Article 7.

* All are equal before the law and are entitled without any discrimination to equal protection of the law. All are entitled to equal protection against any discrimination in violation of this Declaration and against any incitement to such discrimination.

People, particularly transgender folks and people of color are often profiled as sex workers and arrested. For example in Washington, DC, officers can arrest people they “presume to be prostitutes” in so-called Prostitution Free Zones.

Article 9 of the Declaration says:

* No one shall be subjected to arbitrary arrest, detention or exile.

Article 20.

* (1) Everyone has the right to freedom of peaceful assembly and association.

Criminalization and stigmatization create enormous obstacles to sex workers organizing for labor rights, and sex workers sometimes face discrimination when they seek different work.

Article 23.

* (1) Everyone has the right to work, to free choice of employment, to just and favourable conditions of work and to protection against unemployment.
* (2) Everyone, without any discrimination, has the right to equal pay for equal work.
* (3) Everyone who works has the right to just and favourable remuneration ensuring for himself and his family an existence worthy of human dignity, and supplemented, if necessary, by other means of social protection.
* (4) Everyone has the right to form and to join trade unions for the protection of his interests.

Article 25.

* (1) Everyone has the right to a standard of living adequate for the health and well-being of himself and of his family, including food, clothing, housing and medical care and necessary social services, and the right to security in the event of unemployment, sickness, disability, widowhood, old age or other lack of livelihood in circumstances beyond his control.

2009-10-19T08:37:00.001-07:00

Stand in Solidarity with Gumbo YaYa!
www.iamnotaproject.wordpress.com

Greetings community,

Gumbo YaYa wants you to stand in support of healing and creative expression for African American girls and women. Most of you know I help sustain a community-based sister circle called Gumbo YaYa: Creative Expression and Healing for African American Girls and Women. Well soon the project will expand to communities in South Africa and Kenya and continue in Durham, NC.

We want you to stand in solidarity with us! If you believe in our mission and our work email your name and the organization you represent to be listed on our community support page!

Gumbo YaYa is a holistic, arts-based program that directly addresses reproductive justice, awareness, and empowerment of African American girls and women. Established in 2007, Gumbo YaYa draws on the cultural practices of knowledge-sharing, political action, art-making, and community- building created and sustained by African American girls and women.

Gumbo YaYa’s mission is to affirm the health, wellness, and vitality of African American girls and women through creative and expressive healing.

To date, Gumbo YaYa has worked with over 100 women and girls in New York, North Carolina, and New Orleans. We have staged three community performances, and held one community forum.

We have collaborated with a host of like minded individuals who firmly believe in our mission and our work. We have been funded by New York University- ism project grant, New York University- Department of Multi-cultural Programs, Health Medical Research Foundation, The Imperial Court of the Daughters of Isis, Billings & Martin and several private sponsors. We have successfully entered our fall giving season, and raised over 2,000 for our international initiatives.

Here is what coming up...

Winter 09-10: Gumbo YaYa Cycle 3 Planning phase
Spring 2010: Gumbo YaYa Reproductive Justice, Now! begins
Community performance and forum
Summer 2010: Gumbo YaYa South Africa/ Kenya
Fall 2010: Gumbo YaYa documentary short film screening

We want you to stand in solidarity with us! If you believe in our mission and our work email your name and the organization you represent to be listed on our community support page!

Please feel free to share resources with us about grants, funding streams, donations, bartering/freecycling, people doing this work internationally, activities, and more.

We look forward to hearing from you.

In service and solidarity,

Ebony N. Golden

2009-09-24T21:10:00.001-07:00

2009-09-23T10:56:00.001-07:00

3rd Annual In the People's Hands Arts and Activism Project

Community Writing Intensive

Poetry. Hip Hop. Performance. Instead of Prisons.

Contact Ebony Noelle Golden
inthepeopleshands@gmail.com
www.inthepeopleshands.synthasite.com
919.423.3780

Durham, NC—Oct. 1-4 artists from North Carolina, Tennessee, Georgia, New York, and beyond will gather for the third annual Community Writing Intensive in Durham, NC at the New Horizons School and The People's Channel. This year's theme, "to p.i.m.c. w/ love", is a satirical take on the lack of justice the prison system practices towards people of color and poor people. Visit http://www.inthepeopleshands.synthasite.com to register and see full schedule of events.

Participants will engage poetry, media, hip hop theater, and music as tools for critically and creatively engaging community wellness, prison reform, the school to prison pipeline, and decreasing violence in local communities.

Nia Wilson, Executive Director of SpiritHouse-NC said, "This program is absolutely necessary. Our path to freedom is informed by being able to articulate our stories, our visions, in our own words. SpiritHouse is dedicated to creating these intentional spaces for the entire community to dialogue, write, perform, and heal."

This year’s intensive features:

· Tuition-free workshops
· Workshops led by community poets and community organizers
· Travel Scholarships for commuters
· Youth-led workshops
· Writers-in-Residence
· Performance workshops
· Action-based community dialogue
. Manuscript workshops
. Open-Mic
. Virtual release of e-zine www.inthepeopleshands.synthasite.com
. Establishing a community board of artists and writers in the rooted in the south east

The In the People's Hands Arts and Activism Project is based on June Jordan's 15-year old "Poetry for the People" program. The program "continues to pursue Martin Luther King Jr.'s vision of a beloved community for all".

June Jordan crafted Poetry for the People with three guiding principles in mind:
1. That students will not take themselves seriously unless we who teach them, honor and respect them in every practical way that we can.
2. That words can change the world and save our lives.
3. That poetry is the highest art and the most exacting service devoted to our most serious, and our most imaginative, deployment of verbs and nouns on behalf of whatever and whoever we cherish.

For more information about June Jordan and Poetry for the People, visit www.poetryforthepeople.org.
This project is made possible by a grant from the North Carolina Humanities Council, a statewide nonprofit and affiliate of the National Endowment for the Humanities, the We Shall Overcome Fund, The People's Channel, Betty's Daughter Arts Collaborative, and SpiritHouse-NC.

For more information about the intensive, to apply or to donate time, money, or services contact inthepeopleshands@gmail.com, or call Ebony Noelle Golden at 9194233780. To register for the intensive, visit http://inthepeopleshands.synthasite.com/registration.php.

-END-

2009-09-18T21:41:00.001-07:00

2009-09-11T06:29:00.001-07:00

3rd Annual In the People's Hands Arts and Activism Project

Community Writing Intensive

Poetry. Hip Hop. Performance. Instead of Prisons.

Contact

Ebony Noelle Golden For Immediate Release 919.423.3780 www.inthepeopleshands.synthasite.com
inthepeopleshands@gmail.com

Durham, NC—Oct. 1-4 artists from North Carolina, Tennessee, Georgia, New York, and beyond will gather for the third annual Community Writing Intensive in Durham, NC at the New Horizons School and The People's Channel.

This year's theme, "to p.i.m.c. w/ love", is a satirical take on the lack of justice the prison system practices towards people of color and poor people. The intensive will engage poetry, media, hip hop theater, and music as tools for critically and creatively engaging community wellness, prison reform, the school to prison pipeline, and decreasing violence in local communities.

Nia Wilson, Executive Director of SpiritHouse-NC said, "This program is so absolutely necessary. Our path to freedom is informed by being able to articulate our stories, our visions, in our own words. SpiritHouse is dedicated to creating these intentional spaces for the entire community to dialogue, write, perform, and heal."

This year’s intensive features:
· Tuition-free workshops
· Workshops led by community poets and community organizers
· Travel Scholarships for commuters
· Youth-led programs
· Writers-in-Residence
· Performance workshops
· Action-based community dialogue
. Manuscript workshops
. Open-Mic
. Virtual release of e-zine www.inthepeopleshands.synthasite.com
. Establishing a community board of artists and writers in the rooted in the south east

The In the People's Hands Arts and Activism Project is based on June Jordan's 15-year old "Poetry for the People" program. The program "continues to pursue Martin Luther King Jr.'s vision of a beloved community for all". June Jordan crafted Poetry for the People with three guiding principles in mind:

1. That students will not take themselves seriously unless we who teach them, honor and respect them in every practical way that we can.
2. That words can change the world and save our lives.
3. That poetry is the highest art and the most exacting service devoted to our most serious, and our most imaginative, deployment of verbs and nouns on behalf of whatever and whoever we cherish.

For more information about June Jordan and Poetry for the People, visit www.poetryforthepeople.org.

The Community Writing Intensive is sponsored by the We Shall Overcome Fund, The People's Channel, Betty's Daughter Arts Collaborative, SpiritHouse-NC, and the North Carolina Humanities Council.

For more information about the intensive, to apply or to donate time, money, or services contact inthepeopleshands@gmail.com, or call Ebony Golden at 9194233780. To register for the intensive, visit http://inthepeopleshands.synthasite.com/registration.php.

-END-

2009-05-19T07:52:00.001-07:00

Zora! Festival

have you all seen this? http://www.zorafestival.com/index.html

FYI: FW: CFP
You have probably seen the call for papers below, posted at our website
over the last year, for the 2010 Zora Neale Hurston (ZNH) Festival of
the Arts and Humanities in Eatonville, Florida (USA) January 23-31,
2010.

The JUNE 1st deadline is around the corner, and your submissions is
enthusiastically anticipated from across disciplines and areas of study.

PLEASE FORWARD THIS EMAIL TO YOUR FRIENDS, COLLEAGUES , and LISTSERVES.

Taking a minute to forward the email below can make a world of
difference for this academic forum and for the sustainable development
of Eatonville, America's oldest incorporated African American town in
the US.

[Cultural preservation activism has helped this community survive urban
gentrification]

Questions?
See the call below and feel free to contact me directly.

Dr. Deidre Helen Crumbley: ZNH National Planner
Associate Professor/ Africana Studies Program
Interdisciplinary Studies Division Box 7107
North Carolina State University
Raleigh, NC 27695-7107, USA

CALL FOR ACADEMIC PAPERS
Invitation:
Scholars are invited to submit papers for the 2010 Zora Neale Hurston
Festival of the Arts and

Humanities (January 23 - 31). The festival theme is "Reflection on the
Life and Legacy of Zora Neale

Hurston 50 Years After Her Death."

The legacy of Zora Neale Hurston is a phenomenon that has undergone a
remarkable

development and expansion in recent decades, embracing, among others,
topics in ethnic identity, social

interactions, feminist theory, and cultural continuity. Hurston's unique
insights into folklore,

performance, and creative expression have invited new interpretation and
inspired emulation, while the

corpus of her own work has grown as a result of research and discovery.
The committee will welcome

papers exploring the dynamic dimensions of the Hurston legacy from
theoretical and/or historical

perspectives and will be especially attentive to appropriate
consideration of past, present, and emerging

scholarly content.

In a tradition of excellence, scholars are encouraged to engage the
literature and discourse of

their respective fields at the same that they present their findings
during the public forum in a form that

is accessible to academics in other disciplines and is also
intellectually stimulating for an intelligent

general audience.

Submission Instructions:

Submit a 150-word abstract along with an 500-word summary of your paper
that of your paper that indicates the

thesis or central question, which you plan to explore, as well as an
idea of the theoretical framework

within which your findings will be considered.

Deadline:

Abstract and summary are due June 1, 2009.

If your work is accepted for the festival, a copy of

the full paper must be submitted by November1, 2009.

Email your submission to:

Deidre Crumbley @: deidre_crumbley&ncsu.edu

AND

N. Y. Nathiri @: apec@cfl.rr.com

Then Mail a Hard Copy to:

Hurston Papers 2010

Preserve the Eatonville Community, Inc. (P.E.C.)

227 East Kennedy Boulevard

Eatonville, Florida 32751

2009-04-08T08:55:00.001-07:00

Betty's Daughter Arts Collaborative continues the "Working Our Rainbows: Critical Approaches to Africana Women's Performance Methodology" Series

Peace family. As I continue to think about "women's work", political division, art, community and sustainability, I am critically looking at these terms-feminist and womanist and how they create/define/conflate/re-iterate power, everyday "happenings" and creative performance dynamics among Black women.

The Working Our Rainbows Series is an at-home, mobile device, on line lecture series devoted to Black Women in Performance Studies. Please email bettysdaughterarts@gmail.com if you would like to host a lecture!

This weeks lesson:

1. Watch Staceyann Chin's performance of "Feminist or Womanist".
http://www.youtube.com/watch?v=PQOmyebFVV8

2. Read Revisiting "What's in a Name?": Exploring the Contours of Africana Womanist Thought
Nikol G Alexander-Floyd, Evelyn M Simien. Frontiers. Boulder:2006. Vol. 27, Iss. 1, p. 67-89,131-132 (25 pp.)

I will email the essay if you would like.

3. Write a letter to yourself answering some or all of these questions: 1. Am I a feminist? 2. Am I a womanist? 3. How do I identify politically, culturally, socially?

4. If you were talking to Alice Walker right now, what would you say to her about womanism? 5. If you were talking to Clenora Hudson Weems right now, what would you say to her about womanism? 6. If you were speaking to Audre Lorde right now, what would you ask her about hybridity? 7. If you were talking to your mama right now what would you ask her about herself?

Hit me up on facebook or respond on my blog here!

Peace and performance!

Ebony Noelle Golden
bettysdaughterarts@gmail.com
bettysdaughterarts.synthasite.com

2009-03-25T07:51:00.001-07:00

Peace Gumbo YaYa Supporters,

Thank you for your generous thoughts, participation and support since the first cycle of Gumbo YaYa in 2007. Gumbo YaYa has travelled from NYC to NC drawing on the power of sisterhood and creative healing in every session or workshop. The second cycle of gumbo yaya is wrapping up in Durham, NC.

Here are a few updates:

New Community Support!
Gumbo YaYa is pleased to announce new sponsor, The Body Shop. The Body Shop (http://www.thebodyshop-usa.com/bodyshop/) is providing wellness and beauty items for the Gumbo Yaya Sister Circle and supporters. Many thanks to our awesome intern, Kenya C. Harris, for solidifying this sponsorship. You rock Kenya!

Love is Radical Performance!
Gumbo YaYa is wrapping up its second cycle on 3/29/2009 with a community performance, panel, and potluck.

What: Love is Radical: Performing Mothering, Daughtering, and Sistering
When: 3/29/09, 2:30 pm
Where: 214 Broadway St.
Durham, NC
Who: The Entire Community
Cost: Free
Why: Because we want to share our magic with you!

Please bring a dish, dessert, or beverage for the community potluck.
More Information: bettysdaughterarts@gmail.com or 919.423.3780

Please tell everyone you know to come out and support Gumbo YaYa!

Gumbo on the Go!
A Gumbo YaYa session was presented at the 5th Annual State of the Nation Arts and Performance Festival. Accepted with open arms by a diverse community of artists and activists, women and men engaged in "Brilliant Tomorrows: Sister(ing) as Creative Communal Performance" session in New Orleans, LA. www.sonfestival.org.

Brilliant Tomorrows will also be presented at the first We Are 1 Women's Conference in Durham, NC. The conference seeks to bring women together regardless of sexuality, faith, ethnicity. Check them out at http://www.infinitydiamondclub.com/infinity_diamond_club_015.htm.

On the Horizon...
Gumbo YaYa, the movie!
Gumbo YaYa, the curriculum!

We want to hear from you!
-Join our list serv at http://bettysdaughterarts.synthasite.com/contact.php.

-Check out our website and leave a comment at www.iamnotaproject.wordpress.com.

In sisterhood and community building,
Gumbo YaYa/ or this is why we speak in tongues

2009-03-18T10:50:00.001-07:00

2009-03-11T07:38:00.001-07:00

ORIGINAL FOR COLORED GIRLS CAST MEMEBER OFFERS PEFORMANCE WORKSHOP!!!

The Theater of the Oppressed Laboratory (TOPLAB)
--a member of The Institute for Popular Education at the Brecht Forum--
--founded in 1990--
451 West Street
New York, New York 10014
(212) 924-1858
toplab@toplab.org
http://www.toplab.org

The Theater of the Oppressed Laboratory presents

Confronting Diabetes with Theater

Two Workshops with Robbie McCauley

Saturday, March 21,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-1?bc=

Saturday, April 25,2009 from 1:00 to 4:00 pm
Register online at http://brechtforum.org/events/diabetic-dramas-2?bc=

Award-winning actress Robbie McCauley returns to the Brecht Forum to lead
a series of workshops called "Diabetic Dramas" based on subject matter
from her performance piece *Sugar*, which looks at everything there is to
see about sugar, from slavery to colonialism to American mythologies to
diabetes. An ongoing work-in-progress, *Sugar*, which will be presented
again at the Brecht Forum in June, will incorporate some of the story
exchanges by participants in the "Diabetic Drama" workshops facilitated by
Ms. McCauley. Through the interweaving of stories, images, facts and lore
we will see that diabetes is not only a medical issue but also one of race
and class, and we will also see how sugar is sometimes something that is
very bittersweet.

The first Diabetic Drama workshop took place in January and will continue
with two more workshops on March 21 and April 25. It is not necessary to
have attended the January session to enroll in the March or April
sessions.

Robbie McCauley has been an active presence in the American avant-garde
theater for three decades. One of the early cast members of Ntozake
Shange's *for colored girls who have considered suicide when the rainbow is
enuf*, Ms. McCauley went on to write and perform regularly in cities across
the country, striving to facilitate dialogs on race between local whites
and blacks.

In the 1990s, she received both an OBIE Award (Best Play) and a New York
Dance and Performance (BESSIE) Award for *Sally's Rape*, which she wrote,
directed and performed.

A core member of the American Festival Project, she has practiced and
taught theater in several communities throughout the US and abroad. She is
anthologized in several books, including Extreme Exposure; Moon Marked and
Touched by Sun; and Performance and Cultural Politics, edited respectively
by Jo Bonney, Sydne Mahone, and Elin Diamond.

In 1998, her *Buffalo Project* was highlighted as one of the "the 51 (or so)
Greatest Avant-Garde Moments" by the Village Voice, a roster that included
work by artists such as Igor Stravinsky, Pablo Picasso, and John Cage. Her
recent piece, *Sugar*, a work in progress, was presented at Ohio State
University in collaboration with several institutional departments and
organizations, and with members of Columbus' Near East community.

Robbie McCauley is on the Performing Arts Department faculty at Emerson
College in Boston.

Co-sponsored by the Theater of the Oppressed Laboratory (TOPLAB) and the
Brecht Forum.

Tuition--sliding scale: $15-$35

Pre-registration required.

Register online by using the links above or contact TOPLAB at
toplab@toplab.org or (212) 924-1858.

All sessions take place at:

The Brecht Forum
451 West Street*
New York City

* travel directions below

*****

Other Upcoming TOPLAB Workshops

March 28-29: The Rainbow of Desire
(info at http://brechtforum.org/events/rainbow-desire?bc=)

March 29: Closing party for Refuge and Resistance: Reflections on Gendered
Violence (an installation and performance piece conceived and executed by
Ocean Ana Rising)
(info at
http://brechtforum.org/events/ocean-anna-rising-presents-refuge-and-resistance?bc=)

April 18-19: Cop-in-the-Head
(info at http://brechtforum.org/events/cop-head-0?bc=)

May 23-28: Workshops with Augusto Boal
(info from toplab@toplab.org or [212]924-1858)

May 25: An Evening with Augusto Boal
(info at http://brechtforum.org/boalperformance-2009?bc=)

*****

Travel Directions

The Brecht Forum and TOPLAB are at:

451 West Street *
(between Bank and Bethune Streets in the far West Village,
1-1/2 blocks north of West 11 Street)
New York City

* Note: West Street is the same as the West Side Highway

Subway

IND Eighth Avenue A, C, or E to 14 Street or BMT Canarsie L to Eighth
Avenue (take a few minutes to look at "Life Underground", Tom Otterness'
series of whimsical bronze sculptures scattered throughout both sections
of the station). Walk down Eighth Avenue (against the traffic) to Bank
Street (at Abingdon Square). Turn right on Bank and walk west to West
Street. Turn right, walk a quarter-block to 451.

IRT Seventh Avenue 1, 2, or 3 trains to 14 Street. Exit at the south (12
Street) end of the station. Walk a short block west, across 12 Street, to
Greenwich Avenue. Turn left and walk one block to Bank Street. Turn right,
walk west on Bank Street to Abingdon Square. Bank Street continues on the
other side of the park; keep walking on Bank Street to West Street. Turn
right, walk a quarter-block to 451.

New Jersey PATH train to Christopher Street. Walk north (with the traffic)
on Greenwich Street to Bank Street. Turn left, walk west on Bank Street to
West Street. Turn right, walk a quarter-block to 451.

(From Penn Station or Port Authority Bus Terminal take the IND Eighth
Avenue A, C or E trains downtown to 14 Street and follow the directions
above. From Grand Central Station take the IRT Lexington Avenue 4, 5 or 6
trains downtown to 14 Street/Union Square and then change to the BMT
Canarsie L train heading toward Eighth Avenue. Follow the directions
above.)

Bus

#8 (Ninth/Christopher Streets crosstown) to Christopher and West Streets,
walk up West Street to 451.

#11 (Ninth and Tenth Avenues): From uptown--to Abingdon Square (at Bethune
Street). Walk south one very short block to Bank Street, turn right, walk
west to West Street. Turn right, walk a quarter-block to 451. No service
from downtown--Abingdon Square is the terminal stop.

#14A (Grand/Essex Streets/Avenue A/Fourteenth Street crosstown) to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451.

#20 (Seventh Avenue and Hudson Street/Eighth Avenue): From downtown--to
Abingdon Square (at Bethune Street). Walk south one very short block to
Bank Street, turn right, walk west to West Street. Turn right, walk a
quarter-block to 451. From uptown--to 12 Street (near St. Vincent
Hospital). Walk a short block west, across 12 Street, to Greenwich Avenue.
Turn left and walk one block to Bank Street. Turn right, walk west on Bank
Street to Abingdon Square. Bank Street continues on the other side of the
park; keep walking on Bank Street to West Street. Turn right, walk a
quarter-block to 451.

Car

Drive west on 11 Street all the way to West Street (West Side Highway).
Turn right for one block, to 451, between Bank and Bethune Streets.

Along the West Side Highway: From downtown--stay to the right and follow
the Highway to 451, between Bank and Bethune Streets. From uptown: Take
the Highway to Clarkson Street (exit left), make a U-turn at Clarkson and
proceed back up the Highway to 451, between Bank and Bethune Streets.

Note that there is no legal parking on many parts of West Street before
6:00 pm, and parking on the surrounding streets is scarce. Fines for
illegal parking are a minimum of $115, and your car could be towed.
Retrieval can cost you as much as $300. Fees at parking lots and garages
can run as high as $35 a day. WE URGE YOU TO USE PUBLIC TRANSPORTATION.

===
The Theater of the Oppressed Laboratory (TOPLAB)
toplab@toplab.org
http://www.toplab.org

"My fellow Americans, major combat operations in Iraq have ended. In the
battle of Iraq, the United States and our allies have prevailed."
--George W. Bush, May 1, 2003

"...I told the American people that the road ahead would be difficult, and
that we would prevail. Well, it has been difficult--and we are
prevailing."
--George W. Bush, June 28, 2005

"Our cause in Iraq is noble and necessary....America is engaged in a new
struggle that will set the course for a new century. We can and we will
prevail."
--George W. Bush, January 10, 2007

"Prevailing in Iraq is not going to be easy."
--George W. Bush, March 19, 2007

+U.S. military fatalities through May 1, 2003: 140
+U.S. military fatalities through June 28, 2005: 1743
+U.S. military fatalities through January 11, 2007: 3017
+U.S. military fatalities through March 19, 2007: 3217
+U.S. military fatalities as of March 10, 2009: 4256 (this figure exceeds
the number of people killed in all of the incidents that occurred on
September 11, 2001)

+Iraqi deaths due to the US invasion, as of September 2004 (estimated by
The Lancet): 100,000+
+Iraqi deaths due to the US invasion, as of July 2006 (estimated by The
Lancet): 654,965
+Iraqi deaths due to the US invasion, as of March 10, 2009 (estimated
by Just Foreign Policy): 1,311,696*

*These figures are based on the number of deaths estimated in The Lancet
(the British medical journal) study through July 2006, and then updated
based "on how quickly deaths are mounting in Iraq". To do that, Just
Foreign Policy multiplies The Lancet figure as of July 2006 by the ratio
of current deaths reported by Iraq Body Count (IBC), divided by IBC deaths
as of July 1, 2006. The IBC numbers, considerably lower than those cited
by The Lancet, Opinion Research Business (a British polling firm which
estimated 1.2 million Iraqi deaths as of September 2007), and even the
Iraq Ministry of Health, are based on the number of fatalities cited in
various news reports and have been criticized, with much justification,
for not giving an accurate assessment of the real Iraqi death count. The
much more rigorous and statistically-reliable study, conducted by teams
from Johns Hopkins University, Columbia University and Al-Mustansiriya
University, and published in The Lancet in September 2004, put the figure
at around 100,000 civilians dead. However, that data had been based on
"conservative assumptions", according to research team leader Les Roberts,
and the actual count at that time was credibly assumed to be significantly
higher. For example, The Lancet study's data greatly underestimated
fatalities in Fallujah due to the surveying problems encountered there at
that time. The second Lancet study, released on October 10, 2006,
indicated that 654,965 "excess" deaths of Iraqis have occurred since the
outbreak of the aggression and genocide committed by the United States
against the people of Iraq. The current figures provided by Just Foreign
Policy seem to be logically consistent with the increasing rates of death
from 2003 to 2004, and 2004 to 2006.

Sources: http://www.justforeignpolicy.org/iraq/iraqdeaths.html
http://www.antiwar.com/casualties/
http://icasualties.org/oif/
http://www.iraqbodycount.org/
http://www.zmag.org/lancet.pdf
http://www.guardian.co.uk/Iraq/Story/0,2763,1338749,00.html
http://www.agoracosmopolitan.com/Iraq_war.html
http://www.socialistworker.co.uk/article.php4?article_id=6271
http://olm.blythe-systems.com/pipermail/nytr/Week-of-Mon-20041025/008279.html
http://www.thelancet.com/webfiles/images/journal/lancet/s0140673606694919.

2009-03-10T09:21:00.000-07:00

2009-03-05T16:14:00.001-08:00

Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com

Durham, NC- March 5, 2009

Gumbo YaYa, ushers in Women's History Month with a four-part series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden

March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle

March 22: Performance Rehearsal

March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

2009-02-26T20:59:00.001-08:00

Gumbo YaYa Celebrates Women's History Month
with Love is Radical:
Approaches to Mother(ing), Daughter(ing), and Sister(ing):
Creative Arts Workshops, Performance, and Panel" (2:00-5:00)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com

Durham, NC- Feb. 26, 2009

Gumbo YaYa, ushers in Women's History Month with a series of creative arts workshops, performances, and community-wide discussions about the beautiful complexity of relationships among women of the African diaspora.

Gumbo YaYa Dates of Importance:
March 1: Alt(a)rations: Building Sacred Space in Community with SpiritHouse (this session will begin at CAARE and move to other sites.)
March 8: The Aesthetics of Intimacy: Daughter(ing) as Communal Performance with Ebony Noelle Golden
March 15: Love is Radical: Performing Mother(ing), Daughter(ing), and Sister(ing) with Gumbo YaYa Sister Circle
March 22: Performance Rehearsal
March 29: Community Performance and Panel Discussion with the Gumbo YaYa Sister Circle (this performance is open to the entire community)

Nancy (Nia) Wilson, executive director of SpiritHouse-NC, shares, "Thank you to our sponsors: The North Carolina Humanities Council, Healing with CAARE, Inc., betty's daughter arts collaborative, and everyone who has supported this process by providing child care, cooking a meal, or attending a session. Gumbo YaYa is such a wonderful way to begin or continue building a healthy relationship between women and girls in our communities."

Ebony Noelle Golden, creative director of Gumbo YaYa, is over-joyed by the response. "Our sessions have been generously attended every week. Mothers have brought their daughters and granddaughters. I can't wait to see what the final performance brings, and what the lasting effect of this 12-week session will be."

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa provides child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

2009-02-17T15:14:00.001-08:00

Gumbo YaYa Continues Feb. 22
with "Meditation and Creative Visioning:
Building Intergenerational Bridges Among Black Women and Girls" led by Kenya Harris (3:00-5:30)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com
www.bettysdaughterarts.synthasite.com

Durham, NC- Feb. 17, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC. We are pleased to announce that Kenya Harris, Gumbo YaYa's Intern, will lead this session along with two youth participants Bryonna and Nadirah.

The 12-week process, Gumbo YaYa, began January 4 and as is now gearing up to enter its third month with a series of performance workshops that will lead up to the final performance, March 29. Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme of this session is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships among black mothers, daughters, and sisters.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship.

Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

2009-02-12T11:21:00.001-08:00

Gumbo YaYa "Sista Circle" Continues with Feb. 15
with "Dancing with Our Spirits: Understanding Our Lives Through Rhythm" with
Mabinti Shabu (3:00-5:30)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com

Durham, NC- Feb. 12, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora in Durham, NC. We are pleased to announce that Mabinti Shabu of The Magic of African Rhythm will lead the Gumbo YaYa Sisters in a 4-session choreolab that will inform and enhance the participants individual lives and craft the choreography for the final community performance, March 29.

The 12-week process, Gumbo YaYa, began January 4 and as is now in its second month. Gumbo YaYa continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance March 29.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.

Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship.

Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

2009-02-03T09:37:00.001-08:00

Get Hip and Get Some Free Poetry in Your Life!

Greetings lovers of poetry, art, and culture!

Betty's Daughter Arts Collaborative is now accepting poetry, residency, and performance bookings for Black History, Women's History, and National Poetry Months.

If your organization, non or for profit, is located in New York and California, as well as in Atlanta, Chicago, Detroit, Houston, Seattle, New Orleans, Tucson, and Washington D.C, you are in luck! Poets & Writers, an organization dedicated to bringing literary arts to communities across the country, will help pay the honorarium. Just visit http://www.pw.org/funding for more information.

Here is a short list of what I can offer:

1. Residencies: Poetry, Spoken Word, Performance Poetry, Experimental and Community-Based Performance
2. Readings: Poetry, New Works, Performance Works (original works)
3. Workshops: 1 hr, 1 1/2 hrs
4. Combos: Performance and Workshop
5. Teacher/ Artist Trainings: 1 hr, 1 1/2 hrs

Visit
http://bettysdaughterarts.synthasite.com/a-poetics-of-process.php for teaching philosophy and sample lesson plan.

Bio:
Ebony Noelle Golden is the daughter of Pearl Glover, Bertha Sims and Betty Sims. She is a native of Houston, TX. Ebony holds a BA in English Literature and Poetry from Texas A & M University an MFA in Poetry from American University and a MA in Performance Studies from New York University. Ebony is an artist and cultural worker who has been awarded grants from the Atlantic Center for the Arts, Fund for Southern Communities, North Carolina A & T University and New York University. She has been published by Black Issues and Books Review, American Book Review, Obsidian, Pluck, and Third World Press. Ebony serves as the creative director of Betty’s Daughter Arts Collaborative, a boutique arts consulting group, based in NYC and NC. Her current projects include, “Gumbo Ya/Ya or This is Why We Speak in Tongues”, Images: for Younger SiStars, The Community Writing Intensive, i hear you breathing for me/ an embodied blues for meagan williams (multi-media performance) and “again, the water carriers” (a full length book of poetry). Ebony’s work is informed by her ancestral and spiritual family, guides, and homes, primarily. She can be reached at bettysdaughterarts@gmail.com or ww.bettysdaughterarts.synthasite.com.

Betty's Daughter Arts Collaborative looks forward to working with you to create "radical expressiveness in community".

Yours truly in the arts,

Betty's Daughter Arts Collaborative
www.bettysdaughterarts.synthasite.com
www.iamnotaproject.wordpress.com

2009-01-28T09:45:00.001-08:00

Gumbo YaYa "Sista Circle" Continues with

"Mother. Ourselves" Interactive Workshop led by Alexis Pauline Gumbs and

Zachari Curtis (3:00-5:30)

Contact: Betty's Daughter Arts Collaborative
Media Alert
bettysdaughterarts@gmail.com www.bettysdaughterarts.synthasite.com

Durham, NC- Jan. 28, 2009

The North Carolina Humanities Council and SpiritHouse-NC sponsor a creative healing and expression process for women and girls of the African diaspora Durham, NC. The 12-week process, Gumbo YaYa, began January 4 and will continue to March 29 with a creative performance. Now in its second month, Gumbo Yaya continues to incorporate methods for growth,expression, and community-building to actualize individual and artistic processes. The theme is "Love is Radical: Approaches to Mothering, Daughter(ing), and Sister(ing)".

Up-coming Sister Circles Include

Feb. 1, "Mother. Ourselves." with Alexis Pauline Gumbs and Zachari Curtis.
Feb. 8, "In The Beginning Was Her Word: Empowering Women One Story At A Time", with Dr. Anjail Rashida Ahmad.Feb. 15, "The Healing Practice of Dance"
Feb. 22, "Meditation and Creative Visioning: Building Intergenerational Bridges Among Black
Women and Girls"

The "sista circle" uses methods such as improvisation, dance, journaling, meditation, storytelling, photography, theater, poetry, and music to explore the intergenerational relationships between black mothers, daughters, and sisters. The "sista circle" series culminates in multimedia theater performance at the end of March.

All sessions, materials, performances, and discussions are free for participants and audience members. Gumbo YaYa will provide child care and dinner during every "sista circle". Participants do not have to be students, or affiliated with any particular institution to participate.
Ebony Noelle Golden, Creative Director of Gumbo YaYa thanks the North Carolina Humanities Council, SpiritHouse-NC, and Healing with CAARE, Inc. for their generous sponsorship. Nancy "Mama Nia" Wilson, Executive Director of SpiritHouse-NC said, "We are really looking forward to hosting Gumbo YaYa. This process will definitely help to continue conversations black women and girls are having about how we relate to each other. We hope this process helps mothers, daughters, and sisters strengthen their relationships with each other and the larger communities."

For more information about Gumbo YaYa visit www.iamnotaproject.wordpress.com, or email bettysdaughterarts@gmail.com.

--
Ebony N. Golden, MFA, MA
Creative Director
bettysdaughterarts.synthasite.com

Hire Betty's Daughter for your arts consulting needs!
"creating radical expressiveness in community"

Check out...Gumbo Yaya/or this is why we speak in tongues
"Creative Healing and Expression for Women of the Diaspora"
www.iamnotaproject.wordpress.com

2009-01-21T09:22:00.001-08:00

Greetings Gumbo YaYa Supporters,

Last week's session "Brilliant Tomorrows: Sister(ing) as Communal Creative Performance" was a success! We had 20 women in attendance as we engaged diverse ways of practicing sisterhood.

This sunday features an extended gourd making and percussion workshop, HandWork to HeartWork" led by Connie Leeper of Kannapolis, NC. The session will begin at 2:30 and end 6:30. All programs happen at Healing with CAARE, Inc on 214 Broadway St in Durham, NC.

We are also pleased to announce that two of our youth, Nadirah and Bryonna, will lead us in a meditation and visualization activity to start the workshop.

As always, dinner and child care will be provided.

Additionally, please see the link to more pictures of the Everlasting Life workshop from our second week. Thank you sister Courtney Powell-X for the photography work.

http://picasaweb.google.com/sis.courtney/GumboYaya?authkey=vLMkbfNO_IU#5293620404058243410

Please visit www.iamnotaproject.wordpress.com and leave us a note!

2009-01-11T11:34:00.001-08:00

Greetings Gumbo YaYa Supporters,

Below you will find upcoming Sister Circle information. Please forward to Black women and girls you think may be interested in coming.

As with all circles, refreshments and child care are provided.
For more information, visit www.iamnotaproject.wordpress.com or bettysdaughterarts@gmail.com

Jan. 18. “Brilliant Tomorrows: Sister(ing) as Communal Creative Performance”
Ebony Noelle Golden

Workshop Description- How are black women taught to sister? What are the some of the rites, rituals, and performances of sistering? How can we honor the space and practice of sistering? In this session, participants will engage in poetry, performance, music, and movement activities that help us create a vocabulary for active, present, and radical sistering.

The workshop is informed by the work and scholarship of Alice Coltrane, Romare Bearden, Ntozake Shange, Augosto Boal, Anna Deveare Smith, Nina Simone, Zora Neale Hurston, Soyini Madison, among others.

Jan. 25 “HandWork to HeartWork” Gourd Making & Percussion Connie Leeper

On the surface, this workshop is about music and gourd making. On a deeper level, it is more about connection…connection to ourselves, playfulness, imagination, culture, health and community. No experience necessary. Must be willing to be open, welcoming & ready to learn and teach. This workshop only requires that you bring your whole self into a process of intentional creativity.

Feb. 1 “Mother. Ourselves.” Alexis Pauline Gumbs & Zachari Curtis What happens when a life’s work stretches to include many lifetimes and multiple bodies? What models of communication allow those of us living in the flesh on this plane to access the imperatives of ancestors and the unborn? This exploration of the practice of spiritual daughterhood demonstrates and investigates radical connection as a calling and a strategy for healing and action.

Presented by three spiritual daughters of Durham visionary artist, educator and now ancestor Nayo Watkins, “Mother. Ourselves.” is both a performative tribute to Mama Nayo’s life and energy and a model for communication across the presumed limits of life itself. Mama Nayo understood the necessity of the creative process to radical political struggle and healing. This is how she lives with us now; reaching forward and back, moving away and drawing us together.

Time, distance, dis(ease), death, scarcity if asserted as essential, linear, terminal, logical, confine individuals and disrupt communication across seemingly impermeable barriers. What we know already is that we already have everything we need in order to reclaim, remember, revision ourselves, together, free. As Nayo put it, “You already know all you need to know… It’s in your bones.”

Feb. 8 “In The Beginning Was Her Word: Empowering Women One Story At A Time”

Dr. Anjail Rashida Ahmad

Over the millennia, women have held societies together word of mouth, hand to hand and vision by vision simply by the words issued from their tongues. The word or the power of one’s intention spoken into existence is the essence of who we are and can be a force that drives the unfolding of our life experiences. This speaking often takes the shape of stories both narrative and poetic. It’s the power of one’s own story articulated and shared that can have a most transforming effect throughout our societies both private and public.

In this workshop, Dr. Ahmad will lead us in uncovering the essence of the words lying at the bottom of our own hearts and use them to formulate our stories/poems/womanifestas-what desires to be spoken that has not yet been uttered.

Participants should bring a photograph of themselves preferably from the remote past. Use black and white if you have it or copy with a black and white copier. Together we will write autobiographically/biographically, herstorically inspired poems. Come prepared to be reaffirmed, to search-out the words and images, to gather and shape them and to share that which has the power to make us whole.

2009-01-06T16:29:00.001-08:00

Get Hip and Get Your Necessary Dose of Gumbo YaYa!

January 5, 2009 –A New Year and new process to get the job done
On this new show in the New Year, we talk about upcoming events and setting goals for 2009.
Phyllis Coley, editor of Spectacular magazine and Ebony Noelle Golden creative director of Gumbo Yaya gives us a lot of new information to think about. Phyllis shares info on the upcoming Jan 31 celebration of Martin Luther King in Durham. Ebony tells us about the weekly sisterhood circles that she is guiding. Each of my guests use a process unique to them that I know you will find interesting and can be used as a guide to strengthen your own goals in 2009. Join the conversation and send me your goals that you have set for 2009.

Visit at www.richardbrownshow.com to listen to and download the podcast.

Visit Gumbo YaYa at www.iamnotaproject.wordpress.com

2008-12-29T00:02:00.000-08:00

2008-10-27T11:54:00.001-07:00

October 27, 2008
Gumbo YaYa/ or this is why we speak in tongues travels~~~~south!

It is that time, again. Last year Gumbo YaYa/ or this is why we speak in tongues worked magic in NYC. Almost a year to date, I sent out this email to women for support of this so fresh and so necessary improvisational, sista-circle, healing, performance opportunity.

I am Ebony Golden currently living in Manhattan and working as an arts consultant and performer. Over the last year, I had the wonderful pleasure of working with a beautiful group of women who helped me think through what Womanist Performance Methodology and Practice is about. I had the opportunity to study with, learn from, and make trouble with some of the flyest sistas around. We honored ourselves. We were able to be honest. And we participated as we could. I would not have graduated without them.

I add these sistas to my infinitely growing family of sistas around the country. I am so blessed to work and dream with you all. Thank you Ayanna, Geneva, Joi, Cammile, Chelsea, RonAmber, Crystal, Tonya, Samantha, and everyone else who participated along with the rest of my family in DC, TX, GA, NC, IL CA, LA, and in other spaces. You hold me up, thank you.

It is time to begin the 2nd cycle of Gumbo YaYa! Through the generous funding and support of SpiritHouse-NC, North Carolina Humanities Council, Healing with CAARE the 2nd cycle will happen in Durham, NC.

I am dedicated to my healing, the healing of the women in my family and extended family, and the world. This is a process we are creating everywhere, let's continue to tap in together and see what shifts.

This process will have a few opportunities for performance, live and virtual, but mostly I am interested in articulating a poetics of womanist performance process and methodology that can be reproduced by us every where to heal ourselves and this world.

NEED

1- Intern interested in arts management, performance, grassroots activism, media relations, and social justice. Applicant must be flexible, a self-starter, and dependable. Applicant must be based in Durham-NC (or close by). Course credit and possible stipend available.

NEED

Women and girls to participate. If you know of a school, community center, or pre-existing program who might be interested in collaborating, let me know.

NEED

I need you to tell our story. A small group of sistas who are not afraid to undertake this work with me, whether they understand exactly where it is headed or not. Sistas who enjoy movement, music, writing, photography, people, good food, performing, making a fuss about us (black women), and who are not afraid to say we (black women) matter anywhere in this world.

NEEDS

1. sistas to perform several times during a 12-week period and beyond
2. videographer/ photographer/ editor
3. choreographer
4. stage manager
5. 'zine designer
6. web designer

NEEDS
1. voice recorders, tapes
2. gift cards (Target would be excellent)
3. performance space
4. video recorders, tapes, dvd
5. money, frequent flyer miles, train tickets, gas cards!!!

did I say money? oh, and money!

NEEDS

Your stories. Some of you are far away from me right now. But I would love to interview you about you and your healing process. Let's set up some time for phone interviews. I travel often, and maybe we can get together and talk.

Every one is invited to NC in March 09 to see a pivotal step in this journey. Can't wait.

Please take a look at the updated web site and leave poems, videos, letters, and words of encouragement on the Poetic Healing page.

Please do not hesitate to contact me with any questions.

Cool Spirits and Calm Waters,

--
Ebony N. Golden, MFA, American University
Performance Studies MA, NYU
Gumbo Yaya/or this is why we speak in tongues
Creative Director
www.iamnotaproject.wordpress.com

www.communityspeak.wordpress.com

2008-09-04T20:26:00.001-07:00

2nd Annual Community Writing Intensive

2008-08-16T13:24:00.001-07:00

support critical resistance in durham, nc

2008-07-09T08:17:00.001-07:00

2008-05-21T21:22:00.000-07:00

Women, Rock! and Politics Conference 2008
Institute for Women's Studies, UGA
Athens, Georgia

Everyone is welcome to this free conference. For information on local
accommodations, registration, and other details, go to http://www.uga.edu/iws/wrp08.html

Athens locals don't miss keynote performance by queer and feminist rock icon
Gretchen Phillips, 6pm Saturday
(http://www.queermusicheritage.us/aug2005.html) and after-conference party
with guest dj Melissa York.

Conference Program

Friday, May 30, Edge Hall, Hugh Hodgson School of Music, UGA

5:00 Opening reception

5:30 Welcome and Introductions

6:00 Fred Maus “52 Girls” A talk on the women of the B52s

7:00 Latin-American Scenes
Lesley Feracho , “Contesting the Nation :Women and Rock in Latin America”
Patricia Vergara “Funkeiras: Transgressing the Place of the Poor, Black, and
Female in Rio de Janeiro”

SATURDAY, May 31, Tasty World, downtown Athens

12:00 Brunch Buffet

1:00 Girls Rock Camps Collective, “Creativity, Community and Confidence
through Rock & Roll: Girls Rock Camps”

2:15 Rocking the Margins
Matt Jones, "(Re)discovering the Music of Judee Sill"
Sarah Cozort, “Women in Experimental Music”

3:00 Break

3:15 Stella Pace, “Riot Grrrl Self-Esteem Now: A Multimedia Performance”

4:00 Hip/Hop Feminisms
Ebony Noelle Golden, “Sonic Soul: Erykah Badu's Performance Practice”
Sarah Young Ngoh, “Black Motherhood in Hip/Hop and R&B Music”
Marnie Binfield, “Women’s Contributions to ‘Conscious Rap’”

5:45 Break

6:00 Keynote Performance/Presentation Gretchen Phillips

9:00- After-party at Tasty World with special DJ Melissa York, of The Butchies
midnite

UGA to host second annual conference on Women, Rock! and Politics

Athens, Ga.—The Institute for Women’s Studies at the University of Georgia is
hosting its second annual conference, Women, Rock and Politics, from Friday,
May 30 to Saturday, May 31.

This year’s conference brings together a great range of talks, images, and
performances on topics ranging from Girls Rock Camps, to hip hop feminism, to
the riot grrrl movement, to women in rock in Latin America.

The conference will begin on Friday at 5:00 p.m. with a reception and
presentations in Edge Hall at the Hugh Hodgson School of Music on the
University of Georgia campus, followed by a talk on the women of the B-52s by
renowned music scholar Fred Maus (UVA). Saturday's presentations and
performances, including keynote performance by rock icon Gretchen Phillips,
and conference after-party with guest dj Melissa York, will be at Tasty World in
downtown Athens. For a full program please visit www.uga.edu/iws.

The conference is free and open to the public. Edge Hall is located in the Hugh
Hodgson School of Music, Third Floor, at 250 River Rd on the eastside of
campus. Tasty World is located at 312 East Broad Street in downtown Athens,
Ga. For more information contact the Institute for Women’s Studies at 706-
542-2846.

Molly Moreland Myers
Public Relations Coordinator
Institute for Women's Studies
University of Georgia
706-542-0066 (voice)
706-542-0049 (fax)
momolly@uga.edu

A Garden

2008-05-13T07:07:00.000-07:00

If your life was a garden (it is! it is!) what would you grow?

variations on the same riff

2008-03-26T23:19:00.001-07:00

you knew
when you placed that light inside me
when you licked this gold mine like you knew x marked the spot
when you stole my eyes
when you said rest here and waited three seasons
for peace to dwell in my pulse
when you measured my laughs in teaspoons of rain and breath
when you wrapped my hair in your skin
and carved an ankh on my lips
and softened the span of my hips
and charmed my neck roll
and said rest here and waited for the tides to subside in my step

you knew you knew
your face would be infinitely written on any future-brotha
your thumb print could never be washed from the inside of my left thigh
your scent would mingle in my every folicle
you knew
i would pass someone in a city you never visit and look twice and think its you
although you never visit

you knew
i would say hello hello twice like that
and wait for the sax in your voice to be revealed

hello hello

you knew how much i believe in god

and that even if i carved myself into some distant unthinkable corner of this earth
even if i went underground cause of some extraordinary revolutionary shit i got hooked up with

even if i forgot my own name cause my memory decided to swim away from me

i would never forget you

sista circle goes live!!!

2008-03-13T08:08:00.001-07:00

You thought you were too far away to participate in a performance process going on in NYC, well you were wrong.Calling all sistas who got something to say about blackness, womanness and artistic process. For more information visit www.imanotaproject.wordpress.com.

Please answer the questions below in any form you choose: a poem, letter, story, list, sketch, dance, meal, outfit or what ever!

Then send it to me at furiousflower@gmail.com along with a bio and picture or yourself and what you created.

Please note if you want your ideas to be kept private, just let me know and I will honor your wishes

So here is the assignment:

As the Gumbo Yaya Sistre transition into thinking about our personal narratives of healing and spirituality, I would like to extend this process around awareness, identification, and literary production to all the sistas who come in contact with this email.

-please complete the questionnaire below

then,

choose one of the following prompts and engage with it in your own way-

-a letter written to yourself as an infant

-a letter written to yourself as an elder

-an interview between you and a sista younger or older than you.

Questionnaire-

Please answer the following prompts-

-what does it mean to be a black woman to you? do you identify yourself as a black woman?

-what is black women’s art? is this important to identify? should art be universal?

-what does it mean to be an artist to you? do you identify yourself as an artist?

-what does womanism mean to you? do you identify yourself as womanist?

-if you could ask your mother one question about her journey as a black woman or artist, womanist, or spiritualist, what would you ask her?

-if you could ask your daughter or future daughter about her journey as a black woman or artist, womanst, or spiritualist, what would you ask her?

-is there anything that gets in the way of your process as a black woman artist womanist spiritualist?

-is there anything that supports your process as a black woman artist womanist spiritualist?

-what does an artistic process look like to/for you? do you have an artistic process?

-what comprises a womanist artistic process? is there such a process? should we (we being black women cultural producers) be concerned with this process?

Life and Peace,
Ebony Golden
furiousflower@gmail.com

2007-12-02T17:01:00.001-08:00

Asanas for Megan Williams
i am trying to think about the intentional process of invisibility around the violence acted against Megan Williams. i am still trying to wrap my brain and my heart around this case and what our collective responses could be.

i am trying to think about how trauma stifles my ability to respond to acts of violence in my community and around the world. is it that my trauma stops me from acting when i see other black women traumatized? what do we do next? is it these historical traumas that some how shift my body back to a time when i could not say anything, or bear the same trauma my sista experienced, or worse? is choosing not to act against our historical or contemporary trauma a mechanism for keeping our safe, in some way?

i am trying to think about how i can take back my body from trauma. what does an embodied resistance look like? perhaps, it looks like a body, full of light, harnessing her strength, and refusing to be frozen by trauma. perhaps, it is a body who refuses to have her tongue tied by fear. maybe embodied resistance is a heart that refuses to stop beating, that refuses to have the love pressed out of it.

embodied resistance, could be black women free from heart disease, diabetes, womb disease, mental disease. embodied resistance could be black women freeing their bodies from food, cultural pressures, drugs, alcohol, social pressures... as i write this i am sure embodied resistance is all of these acts and more.

i am trying to think about how to process this trauma against our sista megan williams in an intimate, real, transformative way. i am looking to find a way for individuals to actively participate in a healing movement for Megan Williams no matter whereever they are. here is a call to action for anyone interested in sharing healing evergy with our sista. you don't have to march, protest, write a letter. you don't have to leave your dorm room, you warm living room, you can even do it on the train, at a stop light, on the bus.

i am asking for everyone who reads this post to dedicate one minute of yogic practice, meditation, or breath work to Megan Williams. if you are not a yoga person to do one or two stretches for her. if you are advanced do a head stand or full lotus position for her. take a moment or two out of your day to breath deeply, complete some fire breaths, or kemetic breaths for Megan Williams.

as you are doing this, think about her healing, send out some well wishes for her, her family and our collective healing.

our collective action will shift the energy around this case. we will not be immobilized by trauma.

our embodied resistance is movement is breath meditation is the quest for our collective health and well-being

here is a poem for encouragement

i am a daughter of ntozake
of june of audre of nikki
of sonia of gwendolyn of jayne
of asha of lucille of rhodessa of anna
of ruth of elizabeth of toi of marilyn
of nina of cassandra of ella of fannie
of rosa of nayo of bernice of anjail of aretha
of toni of sapphire of ai of betty of pearl of bertha
of of of of of ofoofffffof fofofff

our collective heat is a back bend that strenghthens our walk
our collective heat is a visualization that wraps us in warmth
our collective heat is a moon salutation that greets the night
our collective heat is slow and concentrated breath deep in the diaphragm
our collective heat is heat is heat supple and pulsing and balancing the universe

peace,
e
furiousflower@gmail.com

2007-11-24T18:23:00.001-08:00

Calling Black Women for Ethnographic Performance Process

Calling Black Women for Ethnographic Performance Process

Greetings people,

It is that time. I have been in a bit of hibernation while I was cooking up a way to get you involved with a so fresh and so necessary improvisational, sista-circle, healing, performance opportunity.

I am Ebony Golden currently living in Manhattan and attending NYU. I call a few places home, most recently Durham, NC. While living in Durham I had the opportunity to study with and make trouble with some of the flyest sistas around. We made art with the people and shared it with the people. We healed ourselves everyday!

I would not be here at NYU right now if it wasn't for them. I am dedicating this process and this year at NYU to them: Mama Nia, Mama Asantewa, Mama Nayo, Mama Nana, Mama Jaki, Mama-Dr. Ahmad, Mama Pearl, Mama Dimples, Mama Theresa, Sista Kim Arrington, Sista Zachari, Sista Alexis Pauline Gumbs, Sista Jurina, Sista Alisha Gaines, Sista Serena, Sista Kriti, Sista Kai, Sista Shirlette, Sista Emily, Sista Kriti, Sista Kia/Mercedes, Sista Liz, Sista Amaris, Sista Namira, Sista Raina, Sista DeLana, Sista Nikki, Sista Alfreda, Sista Vikki, Sista Michelle, Sista Afyia, Sista Zelda, Sista Dannette, Sista Inga, Sista SimaFlower, Sista Paulette, Sista Manju

This process is in your honor along with my sistas from DC, TX, and in other spaces. You hold me up, thank you.

I am currently facilitating a performance project for Black women as a part of my Master's Thesis in Performance Studies based on black women's processes of healing from trauma, particularly historical and generational trauma. So how are your healing practices different from your mother's? How are they similar?

I am dedicated to my healing, the healing of the women in my family and extended family, and the world. This is a process we are creating everywhere, let's continue to tap in together and see what shifts.

This process that will have a few opportunities for performance, live and virtual, but mostly i am interested in articulating a poetics of womanist performance process and methodology that can be reproduced by us every where to heal ourselves and this world.

NEED
I need you to tell our story. A small group of sistas who are not afraid to undertake this work with me, whether they understand exactly where it is headed or not. Sistas who enjoy movement, music, writing, photography, people, good food, performing, making a fuss about us (black women), and who are not afraid to say we (black women) matter anywhere in this world.

NEEDS
1. 5-6 sistas to perform several times next semester
2. videographer/ photographer/ editor
3. choreographer
4. producer
5. stage manager
6. 'zine designer
7. web designer

NEEDS
1. voice recorders, tapes
2. gift cards (Target would be excellent)
3. performance space
4. video recorders, tapes, dvd
5. money, frequent flyer miles, train tickets, gas cards!!!

NEEDS

Your stories. Some of you are far away from me right now. But I would love to interview you about you and your healing process. Let's set up some time for phone interviews. I will be in TEXAS in December and NC in January so we can get together.

Every one is invited to NYC in May 08 to see a pivotal step in this journey. Can't wait.

oh and check out some of these sites to get an idea of what sistas are doing to inspire me: http://www.thatlittleblackbook.blogspot.com/, http://talitharise.blogspot.com/, http://bettertospeak.blogspot.com/, www.goldendharma.blogspot.com, http://atthekitchentable.blogspot.com/, http://brokenbeautiful.wordpress.com/, http://sweating-it.blogspot.com/,

Email me if you are interested!
Ebony Golden, MFA
Betty's Daughter Arts Collaborative, Director
furiousflower@gmail.com

2007-08-02T21:35:00.001-07:00

in the midst~~~~for fly ass me'shell ndegeocello

1.the grain of your voice rubbed against vinyl is prayeris a ridge (like a ridge in your bottom lip) where i oil up and tancause blackness is just a beginning and the edge is where i jump to life

2.you say i am the offspring of an obsolete machineso i guess me'shell i ain't got nothing to prove me standing here in all my black woman self all dripping with spirit and legacy and rips that healed and ripped and healed and warm hands say i aint got nothing to prove

3.you say capitalism is the new religion of the massesso i guess me'shell jesus gotta come back and set this shit straight cause we need a shift to let our people go we need a movement we can breathe through

4.you say perchance blindness is but dark thought overcome by the lightand the light is a burgeoning entity that sends eyelashes to the tops of cheeks it shocks the back of the throat as it rolls up the spine it doubletimes doubletimed breath my sweet jesus my jesus i heard that you could save me light travels the blood to the ankles and freezes freezes the walk the thought and the pulse

5.the star beneath your eye is a mantra is an unforgotten sutra an all night orgasmlike this audible memoir speaking all voices but just yours an evangalestic waltz in the higher chakras metronomic sonic swosh the star beneath your eye is a space where marriage can be savior and a whore a whore a whoreawhoreawhoreawhorenever got to open her p*s(y

6.post script

a black girl soon to swirl around in her mamas belly writes me'shell a love note and places it in her mamas dreams she does not know other girl babies are writing too together the me'shell love notes make a b.i.b.l.e. read it as a sonogram of your destiny

7.post script script

dear me'shell thank you for teaching me that obama and hillary aint as fly as shirley (chilsom that is) and that my skin is written in a rich musical register and that tears open a space for self-construction and that a bass guitar can ask a question as loud as a protest and that thewomanistheonlyavenueofdeliverance and that harriet (tubman that is) was wise to walk her children to canada

truly delivered,
ebony

8.in your silence you ask how can i be a guided missile meticulous in my craft a reserve of seeping energy a seducer of liberation a bringer of light a choir of hearts clapping hallelujahs in warm air

Cleromancy for June Jordan

2007-07-31T10:43:00.000-07:00

Note: Cleromancy is a divination that uses 6 six-sided dice to invoke a poet or a poem. Out of millions of well chosen words, I chose these 36 to raise up the life of June Jordan for a limited edition Cleromancy set to be handcrafted at
http://www.blogger.com/img/gl.link.gif

Die 1 Die 2 Die 3 Die 4 Die 5 Die 6

my name to save we blurred
own is editors us are with
quietly poetry who trouble ones tears
explosive 4 look publish been did
here the at this waiting not
wings people me now fight die

Order yours soon! Only six will be made!
love,
Alexis

haiku for sekou

2007-07-26T08:59:00.000-07:00

lids dream bright pavement
now now now now now now now
grow push through ever

2007-07-20T13:08:00.000-07:00

for sekou:

raised by jack-o-lanterns and parking tickets
dandelion eyelashes part the onyx birthstone

in weary time
sour soupy mouths form easy o’s like lake huron
lumbering towards the universal sound
the land of rocking chairs

when poets die
let their henna circle my body seven times and become a new mole

crimson neither stopwatch
nor discount metronome

when poets dielet them be carried through the streets on the lips of harmonics and
earlobes.

Kim Arrington is a singer/song writer/playwrite/poet and all around fly sista. google her and be inspired. www.kimarrington.com
please send your sekou poems to me and i will post them where ever i can.

ebony

2007-07-19T20:03:00.001-07:00

for sekou, now!
Now!
for sekou sundiata

i know what is means to have miles davis in your skin
to speak like a weeping willow
to resist citizenship
to chew gum like a gourmet meal
now
i know how to harness a dream
right behind my belly button
and hold it there til it sprouts wings
bears fruit
blows across an ocean like a liberated spore
you asked me the question
is the american dream a dream or a program
and at that moment i knew you were a blessing in my wounds
a libretto for the revolution epic
a hinge for me to hold onto in times of extended prayer
now
i know why i love my daddy's black taffy laugh
and his eyes like an anthology of sunsets
and his one purple nail that speaks slow around his chin
a chin that drinks the moonlight
i know now sekou you drink the moonlight
let it fill your vaselined cheeks articulate your tongue reawaken your tonsils
you asked me
what is a dream with out education
you asked me what is a dream with out education
youaskedmewhatisadreamwithouteducation liberation resistance love light
youasked me me me mmeeeeeee
whatisadreamwithouteducation
maybe its gospel without mahalia
or hip hop without rakim
or jazz without john
or new orleans without the mississippi
or my grandma without the love of her life
or me without poetry
orororoororororor
you asked me
what is a dream without education
i say it aint it aint it aint a dream with out the technology of technicolor

may the spirits walk you gently down
and raise a song in your honor
may elegba grant you safe passage
asheooooo asheooooooooo ashe

in the name of the most high ~~~~~i sing

2007-07-15T13:41:00.000-07:00

there is a way to articulate hallelujah
prayer sweated over hot rocks
spirit piercing alien vernaculars
multiplied throats hurling truth
truth hurling multiplied bodies

-ebony noelle golden

Radical Love Letters

2007-07-02T07:34:00.000-07:00

If love is a radical force, then let your love flow.
Here are three radical love letter formats. To publish your own email a pdf or a jpg or both to brokenbeautifulpress@gmail.com.

Letter to a (Newark) Jail

This is a love letter that I wrote for the four black lesbians in Newark, New Jersey who are serving jail time for defending themselves from a homophobic attacker. As a queer black woman from New Jersey who was raised to stand up for herself, I know that they could be me.
Use this as an example in your classroom/workshop/support group. For a pdf of this letter click here

If you'd like to send your letter directly to these sistas, please follow the instructions from FIERCE below:
You can also check out http://fiercenyc.org for more upcoming info.

At the moment we are receiving mail at Human Rights Watch for the four women, until they have a permanent address in prison. Their names are Terrain Dandridge, Patreese Johnson, Venice Brown, and Renata Hill.

Please address all letters: Newark 4
care of JESSICA STERN
350 Fifth Avenue, 34th floor
New York, NY 10118-3299

We have also started an email group to put community members in touch with one another and to send updates.
Please accept our invitation, or ask to join.
http://groups.yahoo.com/group/justice4newark4/

AND
Hi, everyone. I hope we can start a letter-writing campaign to
Governor Spitzer. Here's a template we can use, but it will be much
more powerful if we all send different letters, so please add to or
change this letter to express your own feelings about this case.

*** If you want to e-mail the governor, you should do that here:
http://161.11.121.121/govemail

*** If you'd rather call the office of the governor, here's the
number: (518) 474-8390

*** Or you might want to print your letter and mail it to:

The Honorable Eliot Spitzer
Governor of New York
State Capitol
Albany, NY 12224

Dear Governor Spitzer:

In the summer of 2006, seven young women from New Jersey, Venice
Brown, Khamysha Coates, Terrain Dandridge, Lania Daniels, Renata
Hill, Patreese Johnson, and Chenese Loyal, were spending some of
their leisure time in New York City's West Village when Dwayne
Buckle, a man selling DVDs on the street, sexually propositioned
Patreese Johnson. Refusing to take no for an answer, he followed the
young women down the street, insulting them and yelling threats. He
spat in Renata's face and threw his lit cigarette at her, then he
yanked another's hair, pulling her towards him, and then he began
strangling Renata. A fight broke out, during which Patreese Johnson,
4 feet 11 inches tall and 95 pounds, produced a small knife from her
bag to stop Buckle from choking her friend.

Two male onlookers, one of whom had a knife, ran over to physically
deal with Buckle in order to help the women. Buckle, who ended up
hospitalized for five days with stomach and liver lacerations,
initially reported on at least two occasions that the men��not the
women��had attacked him. What's more, Patreese's knife was never
tested for DNA, the men who beat Buckle were never questioned by
police, and the whole incident was documented on surveillance video.
Yet the women ended up on trial for attempted murder, throughout
which the judge, Edward J. McLaughlin, ridiculed and expressed open
contempt for the women in front of the jury. As a result, four of the
women ended up being convicted and sentenced in June 2007 to jail
terms ranging from 3 1/2 to 11 years.

It is difficult to justify these women being brought to trial for
anything, much less murder, and almost impossible to credibly explain
the sentences brought down on them. This letter is to ask you to
consider clemency for these women, who have been in jail for over a
year despite having committed no crime. Thank you for your
consideration of this matter.

Sincerely,

The Philosophical Love Letter: This letter was created by Marquetta Dupree about how a certain understanding of love can change the ways we experience life. What is love to you? How is love a social force that can respond to poverty, violence and pain? For a pdf of this letter click here
Love letter to the world:
This letter is by Diedra and states her love-learned vision for here relationship to the earth.
For a pdf of this letter click here

(poem about how much I want you)

2007-07-01T20:05:00.000-07:00

dedicated to and presented for the attendees of the SONG and QEJ "Building A Queer Left" Pre-Forum Meeting at the United States Social Forum
and the girl on the Atlanta-Hartsfield Jackson Airport Photo Mural

i can't lie to you
atlanta done laid me down
heat painted pavement to stay

taught me
that to be alien
was to be here
so to be queer
must be hip hop
(beat beaten but beaming still)

atlanta taught me
music could war
and if drop-kicked hope
landed and landed
in Bankhead
it would bounce

atlanta remains
a city brazen enough
to kill me and keep moving
but I would STILL tattoo OutKast lyrics on my grave

what I am trying to tell you is
love is a sin
that at best trains me up
in the everyday art of not being a slave

but this is how much i want you

i would cringe into asphalt
fuck the compromise of sidewalks
if it meant you could stand in the middle and sing

i would shelter
the highest pedestrian deathrate
if it made the craziest among us
more likely immortal

would drawl down secrets
melt your sneakers
and name every pathway after what I can't afford

if it meant you would
never forget me

i would be the place
spread open
divided
for the queer and fly to multiply

because this is how much i want you
and you're here

welcome home.

Worldwide Initiative for Poetry (Bathroom Stalls)

2007-06-10T11:50:00.000-07:00

The mission of the (Worldwide Initiative for Poetry) WIP is to bring poetry to unlikely places and people like bathroom stalls, drive-through lines, cops directing traffic, holy water receptacles, birthday cakes, ant hills, beach fronts and adults buried in sand, the toys of infants, etc.

Poetry does not belong only to the establishment, academy, or the hottest local venue. It belongs to the people.

As the first mission of the WIP, all lovers of poetry are encouraged to write a poem (new or classic) on toilet paper, on a bathroom stall, or leave a note with a poem written on it in your local bathroom areas. Poems can be written on toilet paper, hand towels, mirrors, floors, or doors.

For dispensable materials, any writing instrument is encouraged. For materials that are not removable, lipstick or an easily washed instrument is encouraged (if a note is note left or taped). This is out of respect for the sanitary workers (unless you plan to offer your cleaning services after a weeks time, which would be applauded by the WIP).

You must take a digital picture of your offering to the bathroom community of poetry and send it to leon_info@yahoo.com. All pictures will be posted on the blog naughtysubstitute.blogspot.com.

Please feel free to move beyond the limits of the bathroom to any locality. Just be sure to take pictures!
(reposted from Raina)

Improvising Poetry

2007-05-08T16:18:00.000-07:00

*note: This is a jazz poem written by the participants of the Poetry by the People Community Writing Intensive in Durham NC (sponsored by Betty's Daughter Arts Collaborative, SpiritHouse and BrokenBeautiful Press). It was written after reading Gwendolyn Benett's "Song" by passing a sheet of paper around while feeling the spirit of centuries of black music. Get together with some friends or yourself and make your own jam of a poem towards remembering.

Whispering a melody that should be foriegn
daddy drives to Birmingham in my sleep
drives like good news
drives like good lovin
drives like the day his baby girl
made freedom a proper noun like Miles or
Mingus or Coletrane Da Duh Da Duh 2,3,4
Beat Beat, beat to the rhythum
Hit the High Hat
Beat, Beat, beat to the rhythum
Don't stop the drive
The drive taking me to the "A train"
But enjoy the ride
Enjoy the ride.

Singing a melody I thought I had never heard
Before today
Before today
when waking up is explosion
when waking explodes/ a whisper
...and...so how is that?
red bursts...like quick silences
how is an explosion? a subway riff ripped
out of trumpet to awakeness

Selah, listen to the silence
it makes you wait, almost to the point of madness
Tap, tap, tap, that rim,
Selah, wait for that beat of realization
To realize a song sung liberate
Quick! Embrace the beat!
Quick Be about you beat!

Deja Vu: Lovenotes to Strangers

2007-04-25T17:07:00.000-07:00

Every poem is a lovenote sent on faith. So here we go again. Use this space to write a love note meant for someone you may never know.
love,
alexis

"wishful thinking" or "what i'm waiting to find in our email boxes"
(with Mendi and Keith Obadike--www.blacknetart.com-- in mind)

dedicated to the black women at Duke and North Carolina Central Universities and you

1. you wake up each day
as new as anyone
there is no reason to assume
you would be supernaturally strong.
there is no reason to test your strength
through daily disrespect and neglect.
you don't need to be strong.
everyone supports you.

2. if you say ouch
we believe that you are hurt.
we wait to hear how we can help
to mend your pain.

3. you have chosen to be at a school,
at a workplace, in a community
that knows that you are priceless
that would never sacrifice your spirit
that knows it needs your brilliance to be whole

4. your very skin
is sacred
and everything beyond it
is a miracle that we revere

5. we mourn any violence that
has ever been enacted against you.
we will do what it takes
to make sure that it doesn't happen again.
to anyone.

6. when you speak
we listen.
we are so glad that you
are here, of all places.

7. other women
even strangers
reach out to you
when you seem afraid
and they stay
until peace comes

8. the sun
reminds everyone
how much they love you.

9. people are interested
in what you are wearing
simply
because it tells them
what paintings to make.

10. everyone has always told you
you can stay a child
until you are ready to move on

11. if you run across the street
naked at midnight
no one will think
you are asking
for anything.

12. you do so many things
because it feels good to move.
you have nothing to prove
to anyone.

13. white people cannot harm you.
they do not want to.
they do not do it by accident.

14. your smile makes people
glad to be alive

15. your body is not
a symbol of anything

16. everyone respects your work
and makes sure you are safe
while doing it

17. at any moment
you might relive
the joy of being embraced

18. no one will lie to you,
scream at you
or demand anything.

19. when you change your mind,
people will remember to change theirs.

20. your children are safe
no one will use them against you.

21. the university is a place where you
are reflected and embraced.
anyone who forgets how miraculous you are
need only open their eyes.

22. the universe conspires
to lift you
up.

23. on the news everynight
people who look like you and
the people you love
are applauded
for their contribution to society.

24. the place where knowledge is
has no walls.

25. you are rewarded for the work you do
to keep it all together.

26. every song i've
ever heard on the radio
is in praise
of you.

27. the way you speak
is exactly right
for wherever you happen
to be.

28. there is no continent anywhere
where life counts as nothing.

29. there is no innocence that needs your guilt
to prove it.

30. there is no house
in your neighborhood
where you still hear screams
every time you go
past.

31. no news camera waits
to amplify your pain.

32. nobody wonders
whether you will make it.
everybody believes in you

33. when you have a child
no one finds it tragic.
no map records it as an instance of blight.

34. no one hopes you will give up
on your neighborhood
so they can buy it up cheap.

35. everyone asks you your name.
no one calls you out of it.

36. someone is thinking highly of you
right now.

37. being around you
makes people want to be
their kindest, most generous selves.

38. there is no law anywhere
that depends on your silence.

39. nobody bases their privilege
on their ability to desecrate you.

40. everyone will believe anything you say
because they have been telling you the truth
all along.

41. school is a place, like every other place.
no one here is out to get you.

42. worldwide, girls who look like you
are known for having great ideas.

43. 3 in 3 women will fall in love with themselves
during their lifetime.

44. every minute in North Carolina
a woman embraces
another woman.

45. you know 8 people
who will help you move
to a new place
if you need to.

46. when you speak loudly
everyone is happy
because they wondered
what you were thinking about.

47. people give you gifts
and truly expect nothing
in return.

48. no one thinks you are
over-reacting.

49. everyone believes
that you should have all
the resources that you need,
because by being yourself
you make the world so much
brighter.

50. any creases on your face
are from laughter.

51. no one, anywhere, is locked in a cage.

52. you are completely used to knowing what you want.
following your dream is as easy as walking.

53. you are more than enough.

54. everyone is waiting
to see what great thing
you'll do next.

55. every institution wants to know
what you think, so they can find out
what they should really be doing,
or shut down.

56. strangers send you love letters
thanking you
for speaking your mind.

57. you wake up
new
as anyone.

Poetry by the People-A Community Writing Intensive

2007-04-24T03:32:00.001-07:00

POETRY BY THE PEOPLE
Community Writing Intensive
Durham, NC
May 8-10, 2007

Dear Lovers of the Word,
You are cordially invited to write and discuss poetry in and with the
Durham community. You will be surrounded by people who love poetry
and believe in its transformative power. Here's what you can
expect:

Daily Schedule
1:00 ~ 3:00 Silent Writing/ Manuscript Conferences
3:00 ~ 4:00 Late Lunch/ Early Dinner
4:15 ~ 5:15 Community Sharing/ Open Mic
5:30 ~ 6:30 Poetry Exercises
6:30 ~ 8:30 Workshop/ Critique
8:30 ~ 9:00 Wrap - Up

Sponsors
This year betty's daughter arts collaborative, broken beautiful press,
and SpiritHouse-NC have graciously decided to sponsor Poetry By the
People, so you don't have to. There is no charge for attendance, just
come with poems, an open heart, and a love for community art.

Funding
For poets who are not in the Durham-Raleigh-Chapel-Hill area, two very
modest travel scholarships are available.
1. The Betty Ann Sims, Ed.D. Artist/Scholar Travel Scholarship is
available to any poet who can demonstrate how expressive art will
impact future or current scholarly projects.
2. The Talya Pierce Travel Scholarship for Emerging Poets is awarded
to a woman of color who is beginning to explore the field of poetry.
The recipient of this award must not hold any publications or academic
degrees in creative writing.

Application
Please submit a five-page manuscript, a cover letter that explains the
role of poetry in creating community, and your contact information to
inthepeopleshands@gmail.com by May 6.

Contact Person
Ebony Noelle Golden, MFA
Director of betty's daughter arts collaborative
furiousflower@gmail.com
www.myspace.com/mamashieroglyphics

A Spelling Lesson

2007-04-11T15:49:00.000-07:00

for this and every survivor

drop
is a four-letter word
an instruction after catching fire
a movement behind stop
a command we must memorize
and tell ourselves
if we would be safe

drop
is what we do to the kids
at school, at practice, at auntie's
training for a next that will keep them (running)
warning that they will not be at home anywhere
treason required by our other jobs

drop
is what the dj plays
what the hypeman says
the entrance of the beat(ing)
stretching our skin like a place to call
drowning our knees like a new heartbeat

and today
drop
is what my stomach does
is a frame for the rain
is the shape of the blood
that would seek to be the last word
as if we weren't students as well

but we know how to spell

so when i see D-R-O-P
dropped open in front of me
like it was new(s)
all i do is add you
all of bright breaking you
all of impossibly speaking
light leaking
you

and the next word is yours

P-R-O-U-D

love always,
alexis

p.s. the next word is really yours. make a poem about the word proud and post it as a comment

Letters to Freedom

2007-03-23T05:19:00.000-07:00

Inspired by SpiritHouse and the upcoming Day of Truthtelling in Durham
it is time to write letters to FREEDOM! Haven't you been meaning to keep in touch? What did freedom look like last time you all met up? Where have you been hoping to see freedom? Have y'all freedom fighters been fighting freedom? If so, kiss and make up (what freedom means to you)!

(please post your letters as comments on www.bettertowrite.blogspot.com)

p.s. Send some love to a young woman whose smile looks like freedom to me http://freeshaquandacotton.blogspot.com/

gendering gerunds

2006-11-01T06:34:00.000-08:00

Write a list of gerunds (action words in process...ending in ing) that have to do with how you feel about the genders you have, want, bump up against, get mistaken for....etc. (See comments for one example...) and then post your own.
This exercise was developed by Zachari and Alexis as part of the Engendering Peace curriculum at New Horizons Alternative School.

It is better to write!

Auntie

2006-10-26T12:20:00.000-07:00

So..I have yet to be convinced that every poem is not a love letter. Forgive me. This love letter thing is going to last a while longer. Post a praise poem to some for-real-for-real or for play-play-real aunt of yours.

Love Letters to Strangers

2006-10-05T05:53:00.000-07:00

So survey says...we move. We be in airports, gas station rest stops, subway transfers, bus terminals, but also be still in the space of a gaze, in a staring match with our shoes, on a treadmill of world creation hope hustle. This week(end) write a love letter to stranger, and give it to them (or not).

p.s. we are sufficiently strange so feel free to post to us!